{"product_id":"quarterly-s-vol-86-summer-2024-featuring-tsukasa-yamaguchi-blue-period-cover","title":"Quarterly S Vol. 86, Summer 2024 – Featuring Tsukasa Yamaguchi 'Blue Period' Cover","description":"\u003ch2 data-start=\"266\" data-end=\"614\"\u003e\n\u003cstrong data-start=\"266\" data-end=\"286\"\u003eProduct Overview\u003c\/strong\u003e:\u003cbr data-start=\"287\" data-end=\"290\"\u003e\n\u003c\/h2\u003e\n\u003cp data-start=\"266\" data-end=\"614\"\u003eThe \u003cstrong data-start=\"294\" data-end=\"330\"\u003eQuarterly S Vol. 86, Summer 2024\u003c\/strong\u003e issue features \u003cstrong data-start=\"346\" data-end=\"367\"\u003eTsukasa Yamaguchi\u003c\/strong\u003e, the artist behind \u003cem data-start=\"387\" data-end=\"400\"\u003eBlue Period\u003c\/em\u003e, on the cover, with an in-depth \u003cstrong data-start=\"433\" data-end=\"446\"\u003emaking-of\u003c\/strong\u003e article discussing his use of \u003cstrong data-start=\"477\" data-end=\"495\"\u003eacrylic paints\u003c\/strong\u003e. This issue also includes an exclusive \u003cstrong data-start=\"535\" data-end=\"557\"\u003especial supplement\u003c\/strong\u003e, the \u003cstrong data-start=\"563\" data-end=\"601\"\u003e\"Kira Kira Art Materials Handbook\"\u003c\/strong\u003e by \u003cstrong data-start=\"605\" data-end=\"613\"\u003eWaki\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"616\" data-end=\"1018\"\u003eIn addition to Tsukasa Yamaguchi’s cover creation, the issue features \u003cstrong data-start=\"686\" data-end=\"699\"\u003emaking-of\u003c\/strong\u003e features on works by \u003cstrong data-start=\"721\" data-end=\"739\"\u003eHAYASHIDA Kyuu\u003c\/strong\u003e (\"Big Dark\") using acrylics, and \u003cstrong data-start=\"773\" data-end=\"792\"\u003eShirahama Kaoru\u003c\/strong\u003e (\"The Atelier of the Glimmering Hat\") in pen drawings. Other \u003cstrong data-start=\"854\" data-end=\"871\"\u003eart tutorials\u003c\/strong\u003e include \u003cstrong data-start=\"880\" data-end=\"889\"\u003eCopic\u003c\/strong\u003e techniques by \u003cstrong data-start=\"904\" data-end=\"918\"\u003eNanami Ryo\u003c\/strong\u003e, \u003cstrong data-start=\"920\" data-end=\"940\"\u003eacrylic painting\u003c\/strong\u003e by \u003cstrong data-start=\"944\" data-end=\"957\"\u003eKazuchiko\u003c\/strong\u003e, and \u003cstrong data-start=\"963\" data-end=\"976\"\u003ePhotoshop\u003c\/strong\u003e tutorials by \u003cstrong data-start=\"990\" data-end=\"1002\"\u003eSamantha\u003c\/strong\u003e and \u003cstrong data-start=\"1007\" data-end=\"1017\"\u003eIllumi\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1020\" data-end=\"1138\"\u003e\u003cstrong data-start=\"1020\" data-end=\"1047\"\u003eExclusive illustrations\u003c\/strong\u003e by \u003cstrong data-start=\"1051\" data-end=\"1068\"\u003eHaruka Makita\u003c\/strong\u003e, \u003cstrong data-start=\"1070\" data-end=\"1077\"\u003eAya\u003c\/strong\u003e, \u003cstrong data-start=\"1079\" data-end=\"1089\"\u003eAyanee\u003c\/strong\u003e, \u003cstrong data-start=\"1091\" data-end=\"1101\"\u003eSakuua\u003c\/strong\u003e, and \u003cstrong data-start=\"1107\" data-end=\"1117\"\u003eAmatsu\u003c\/strong\u003e are also featured.\u003c\/p\u003e\n\u003cp data-start=\"1140\" data-end=\"1167\"\u003e\u003cstrong data-start=\"1140\" data-end=\"1164\"\u003eReports \u0026amp; Interviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul data-start=\"1168\" data-end=\"1646\"\u003e\n\u003cli data-start=\"1168\" data-end=\"1241\"\u003e\n\u003cp data-start=\"1170\" data-end=\"1241\"\u003e\u003cstrong data-start=\"1170\" data-end=\"1185\"\u003eHoshino Kei\u003c\/strong\u003e shares his favorite stationery in a unique interview.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1242\" data-end=\"1347\"\u003e\n\u003cp data-start=\"1244\" data-end=\"1347\"\u003e\u003cstrong data-start=\"1244\" data-end=\"1272\"\u003eThe making of \"Effermer\"\u003c\/strong\u003e anime featuring \u003cstrong data-start=\"1289\" data-end=\"1304\"\u003eKyuuto Nagi\u003c\/strong\u003e, \u003cstrong data-start=\"1306\" data-end=\"1321\"\u003eRio Shimizu\u003c\/strong\u003e, and \u003cstrong data-start=\"1327\" data-end=\"1344\"\u003eRei Tsukahara\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1348\" data-end=\"1448\"\u003e\n\u003cp data-start=\"1350\" data-end=\"1448\"\u003e\u003cstrong data-start=\"1350\" data-end=\"1368\"\u003eMana Nanashiro\u003c\/strong\u003e explores the \u003cstrong data-start=\"1382\" data-end=\"1402\"\u003eKusakabe Factory\u003c\/strong\u003e, a renowned \u003cstrong data-start=\"1415\" data-end=\"1445\"\u003eart materials manufacturer\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1449\" data-end=\"1532\"\u003e\n\u003cp data-start=\"1451\" data-end=\"1532\"\u003e\u003cstrong data-start=\"1451\" data-end=\"1472\"\u003eJoel-Peter Witkin\u003c\/strong\u003e's photography on the extreme and sacred miracles of life.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1533\" data-end=\"1624\"\u003e\n\u003cp data-start=\"1535\" data-end=\"1624\"\u003e\u003cstrong data-start=\"1535\" data-end=\"1553\"\u003eTakei Hiroyuki\u003c\/strong\u003e introduces his manga series \u003cem data-start=\"1582\" data-end=\"1621\"\u003e\"Butsu Zone: Love Collection Edition\"\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1625\" data-end=\"1646\"\u003e\n\u003cp data-start=\"1627\" data-end=\"1646\"\u003e\u003cstrong data-start=\"1627\" data-end=\"1645\"\u003eComicup Report\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1648\" data-end=\"1662\"\u003e\u003cstrong data-start=\"1648\" data-end=\"1659\"\u003eDetails\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul data-start=\"1663\" data-end=\"3010\"\u003e\n\u003cli data-start=\"1663\" data-end=\"1701\"\u003e\n\u003cp data-start=\"1665\" data-end=\"1701\"\u003e\u003cstrong data-start=\"1665\" data-end=\"1682\"\u003eMagazine Name\u003c\/strong\u003e: \u003cstrong data-start=\"1684\" data-end=\"1699\"\u003eQuarterly S\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1702\" data-end=\"1745\"\u003e\n\u003cp data-start=\"1704\" data-end=\"1745\"\u003e\u003cstrong data-start=\"1704\" data-end=\"1713\"\u003eIssue\u003c\/strong\u003e: \u003cstrong data-start=\"1715\" data-end=\"1726\"\u003eVol. 86\u003c\/strong\u003e, \u003cstrong data-start=\"1728\" data-end=\"1743\"\u003eSummer 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1746\" data-end=\"1791\"\u003e\n\u003cp data-start=\"1748\" data-end=\"1791\"\u003e\u003cstrong data-start=\"1748\" data-end=\"1766\"\u003eCover \u0026amp; Pin-up\u003c\/strong\u003e: \u003cstrong data-start=\"1768\" data-end=\"1789\"\u003eTsukasa Yamaguchi\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1792\" data-end=\"1865\"\u003e\n\u003cp data-start=\"1794\" data-end=\"1865\"\u003e\u003cstrong data-start=\"1794\" data-end=\"1816\"\u003eSpecial Supplement\u003c\/strong\u003e: \u003cstrong data-start=\"1818\" data-end=\"1863\"\u003eWaki's \"Kira Kira Art Materials Handbook\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1866\" data-end=\"2182\"\u003e\n\u003cp data-start=\"1868\" data-end=\"1894\"\u003e\u003cstrong data-start=\"1868\" data-end=\"1891\"\u003eFeatured Interviews\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul data-start=\"1897\" data-end=\"2182\"\u003e\n\u003cli data-start=\"1897\" data-end=\"1948\"\u003e\n\u003cp data-start=\"1899\" data-end=\"1948\"\u003e\u003cstrong data-start=\"1899\" data-end=\"1917\"\u003eHAYASHIDA Kyuu\u003c\/strong\u003e: Interview on \u003cstrong data-start=\"1932\" data-end=\"1946\"\u003e\"Big Dark\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1951\" data-end=\"2028\"\u003e\n\u003cp data-start=\"1953\" data-end=\"2028\"\u003e\u003cstrong data-start=\"1953\" data-end=\"1972\"\u003eShirahama Kaoru\u003c\/strong\u003e: Interview on \u003cstrong data-start=\"1987\" data-end=\"2026\"\u003e\"The Atelier of the Glimmering Hat\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2031\" data-end=\"2098\"\u003e\n\u003cp data-start=\"2033\" data-end=\"2098\"\u003e\u003cstrong data-start=\"2033\" data-end=\"2051\"\u003eMana Nanashiro\u003c\/strong\u003e: Art materials factory visit to \u003cstrong data-start=\"2084\" data-end=\"2096\"\u003eKusakabe\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2101\" data-end=\"2182\"\u003e\n\u003cp data-start=\"2103\" data-end=\"2182\"\u003e\u003cstrong data-start=\"2103\" data-end=\"2121\"\u003eTakei Hiroyuki\u003c\/strong\u003e: Introduction to \u003cstrong 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data-end=\"2290\"\u003eKazuchiko\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2295\" data-end=\"2353\"\u003e\n\u003cp data-start=\"2297\" data-end=\"2353\"\u003e\u003cstrong data-start=\"2297\" data-end=\"2320\"\u003ePhotoshop Tutorials\u003c\/strong\u003e by \u003cstrong data-start=\"2324\" data-end=\"2336\"\u003eSamantha\u003c\/strong\u003e and \u003cstrong data-start=\"2341\" data-end=\"2351\"\u003eIllumi\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2354\" data-end=\"2455\"\u003e\n\u003cp data-start=\"2356\" data-end=\"2386\"\u003e\u003cstrong data-start=\"2356\" data-end=\"2383\"\u003eExclusive Illustrations\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul data-start=\"2389\" data-end=\"2455\"\u003e\n\u003cli data-start=\"2389\" data-end=\"2455\"\u003e\n\u003cp data-start=\"2391\" data-end=\"2455\"\u003e\u003cstrong data-start=\"2391\" data-end=\"2408\"\u003eHaruka Makita\u003c\/strong\u003e, \u003cstrong data-start=\"2410\" data-end=\"2417\"\u003eAya\u003c\/strong\u003e, \u003cstrong data-start=\"2419\" data-end=\"2429\"\u003eAyanee\u003c\/strong\u003e, \u003cstrong data-start=\"2431\" data-end=\"2441\"\u003eSakuua\u003c\/strong\u003e, \u003cstrong data-start=\"2443\" data-end=\"2453\"\u003eAmatsu\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2456\" data-end=\"2637\"\u003e\n\u003cp data-start=\"2458\" data-end=\"2481\"\u003e\u003cstrong data-start=\"2458\" data-end=\"2478\"\u003eSpecial Features\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul data-start=\"2484\" data-end=\"2637\"\u003e\n\u003cli data-start=\"2484\" data-end=\"2518\"\u003e\n\u003cp data-start=\"2486\" data-end=\"2518\"\u003e\u003cstrong data-start=\"2486\" data-end=\"2516\"\u003e\"Effermer\" Anime Making-of\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2521\" data-end=\"2562\"\u003e\n\u003cp data-start=\"2523\" data-end=\"2562\"\u003e\u003cstrong data-start=\"2523\" data-end=\"2560\"\u003eHoshino Kei's Favorite Stationery\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2565\" data-end=\"2612\"\u003e\n\u003cp data-start=\"2567\" data-end=\"2612\"\u003e\u003cstrong data-start=\"2567\" data-end=\"2588\"\u003eJoel-Peter Witkin\u003c\/strong\u003e's Extreme Photography\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2615\" data-end=\"2637\"\u003e\n\u003cp data-start=\"2617\" data-end=\"2637\"\u003e\u003cstrong data-start=\"2617\" data-end=\"2635\"\u003eComicup Report\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2638\" data-end=\"3010\"\u003e\n\u003cp data-start=\"2640\" data-end=\"2663\"\u003e\u003cstrong data-start=\"2640\" data-end=\"2660\"\u003eRegular Features\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul data-start=\"2666\" data-end=\"3010\"\u003e\n\u003cli data-start=\"2666\" data-end=\"2699\"\u003e\n\u003cp data-start=\"2668\" data-end=\"2699\"\u003e\u003cstrong data-start=\"2668\" data-end=\"2697\"\u003eOkama’s Fun Town Building\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2702\" data-end=\"2752\"\u003e\n\u003cp data-start=\"2704\" data-end=\"2752\"\u003e\u003cstrong data-start=\"2704\" data-end=\"2750\"\u003eTanaka Masaka’s Character Red Pen Tutorial\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2755\" data-end=\"2785\"\u003e\n\u003cp data-start=\"2757\" data-end=\"2785\"\u003e\u003cstrong data-start=\"2757\" data-end=\"2783\"\u003eSetsu’s Sweets Drawing\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2788\" data-end=\"2808\"\u003e\n\u003cp data-start=\"2790\" data-end=\"2808\"\u003e\u003cstrong data-start=\"2790\" data-end=\"2806\"\u003eChibiki News\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2811\" data-end=\"2860\"\u003e\n\u003cp data-start=\"2813\" data-end=\"2860\"\u003e\u003cstrong data-start=\"2813\" data-end=\"2858\"\u003eNakamura Yusuke’s Work Studio Exploration\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2863\" data-end=\"2908\"\u003e\n\u003cp data-start=\"2865\" data-end=\"2908\"\u003e\u003cstrong data-start=\"2865\" data-end=\"2879\"\u003eShiro Neri\u003c\/strong\u003e: \"I Went! Women’s Erotica\"\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2911\" data-end=\"2966\"\u003e\n\u003cp data-start=\"2913\" data-end=\"2966\"\u003e\u003cstrong data-start=\"2913\" data-end=\"2930\"\u003eYukashina Mon\u003c\/strong\u003e: Showa \"Girly\" Culture University\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2969\" data-end=\"3010\"\u003e\n\u003cp data-start=\"2971\" data-end=\"3010\"\u003e\u003cstrong data-start=\"2971\" data-end=\"2990\"\u003e3rd Eye Theater\u003c\/strong\u003e: \u003cstrong data-start=\"2992\" data-end=\"3010\"\u003eKyoko Tokunaga\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pie international","offers":[{"title":"multicolor \/ Japanese","offer_id":52654903197993,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0253\/0381\/0145\/files\/7_36e3da9a-1a7d-4b28-8176-b8e37e60a492.png?v=1770787095","url":"https:\/\/haruyama365.com\/products\/quarterly-s-vol-86-summer-2024-featuring-tsukasa-yamaguchi-blue-period-cover","provider":"HARUYAMA","version":"1.0","type":"link"}