{"product_id":"japanese-colors-some-no-tsukasa-yoshioka-and-sarasa-yoshiokas-work","title":"Japanese Colors: Some no Tsukasa Yoshioka and Sarasa Yoshioka's Work","description":"\u003ch1\u003e\u003cspan\u003eProduct Description\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch2\u003e\u003cspan\u003eJapanese Colors: Some no Tsukasa Yoshioka\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExplore the beauty of traditional Japanese colors through the work of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSome no Tsukasa Yoshioka\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a Kyoto dyeing workshop with more than 200 years of history, and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSarasa Yoshioka\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, its sixth-generation head.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor centuries, the workshop has used traditional botanical dyeing techniques to extract colors from plants and flowers and apply them to natural materials including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esilk, linen, cotton, and Japanese paper\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe resulting colors reflect Japan's changing seasons and a deep appreciation for the natural world.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eMore Than 200 Years of Japanese Dyeing Tradition\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSome no Tsukasa Yoshioka\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e has continued its dyeing tradition in Kyoto since the Edo period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe workshop specializes in traditional plant-based dyeing methods, using natural materials to recreate and preserve the colors of historical Japan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts work is closely connected with important Japanese temples and traditional cultural events. The workshop has contributed to the restoration of historical textiles and cultural artifacts and has produced dyed Japanese paper used in traditional ceremonies at temples including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTodai-ji\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYakushi-ji\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eThe Beauty of Japanese Botanical Dyes\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eJapanese plant dyeing has a long history that can be traced back to the Jomon period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMore sophisticated dyeing techniques were introduced from mainland Asia during the Nara period, helping Japanese textile and color culture develop further.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWith the introduction of synthetic dyes from the West during the Meiji period, traditional botanical dyeing gradually declined.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe fifth-generation head, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYoshio Yoshioka\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, dedicated his work to reviving plant-based dyeing and bringing traditional Japanese colors back into contemporary life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis book documents that ongoing tradition through the work of the Yoshioka family and their Kyoto workshop.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Colors and Traditional Crafts\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe book explores the work of Some no Tsukasa Yoshioka through reconstructed works connected with historic temples and traditional Japanese culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFeatured projects include:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eReconstructed ceremonial garments associated with Yakushi-ji\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReproductions of garments inspired by \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Tale of Genji\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTraditional dyed Japanese paper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBotanical dyeing on silk and other natural materials\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWorks connected with historic temple ceremonies\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContemporary installations using traditional dyeing techniques\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThese projects demonstrate how historical Japanese colors and dyeing techniques can be preserved while continuing to evolve in contemporary creative work.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eSarasa Yoshioka — Sixth-Generation Head\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003eSarasa Yoshioka\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a textile artist and the daughter of Yoshio Yoshioka, became the sixth-generation head of Some no Tsukasa Yoshioka in 2019 following her father's passing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAfter graduating from university, she initially worked in the apparel industry before deciding to continue the family's traditional dyeing business.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eShe later studied weaving and dyeing for two years at the Nomura Silk Museum in Seiyo, Ehime Prefecture, before returning to her family workshop in Kyoto in 2008.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAfter working alongside her father for 11 years, she inherited the workshop's sixth-generation tradition in 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eToday, she continues to work with traditional cultural events such as the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eShuni-e ceremony at Todai-ji\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHanakueshiki festival at Yakushi-ji\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while also exploring contemporary applications of traditional dyeing through installations for hotels and commercial spaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHer work connects traditional Japanese craftsmanship with modern interiors and creative environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eA Visual Reference for Color and Textile Design\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThis book is particularly relevant to readers interested in:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eJapanese traditional colors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNatural and botanical dyeing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTextile design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJapanese crafts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTraditional Japanese culture\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFashion and textiles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInterior and installation design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJapanese art\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKyoto craftsmanship\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eContemporary applications of traditional techniques\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIt offers an in-depth look at how natural materials, traditional knowledge, historical culture, and contemporary creativity come together through Japanese color.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eAbout Some no Tsukasa Yoshioka\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSome no Tsukasa Yoshioka is a Kyoto dyeing workshop with roots extending more than 200 years to the Edo period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eUsing naturally derived dyes and traditional techniques, the workshop works to preserve and bring traditional Japanese dyeing into contemporary creative practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIts work has been presented internationally, including a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eplant-dyed silk work permanently preserved by the Victoria and Albert Museum in London in 2016\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003eProduct Information\u003c\/span\u003e\u003c\/h1\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cspan\u003eFeature\u003c\/span\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cspan\u003eDetails\u003c\/span\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eTitle\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eJapanese Colors: Some no Tsukasa Yoshioka and Sarasa Yoshioka's Work\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003ePlanning\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eSeigensha Promotion\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eArt Direction\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eYoshiko Fujita\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eLanguage\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eJapanese\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eFormat\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e120 pages\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eBinding\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eProduct Code\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e4571103569603\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eMain Subject\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eJapanese Colors \u0026amp; Traditional Natural Dyeing\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eDyeing Method\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eBotanical \/ Plant-Based Dyeing\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch1\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch3\u003e\u003cspan\u003eInches\u003c\/span\u003e\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eDimension\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eSize\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eBook Format\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eApprox. Width\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e7.17 in\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eApprox. Height\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e10.12 in\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003e\u003cspan\u003eCentimeters\u003c\/span\u003e\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eDimension\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eSize\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eBook Format\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003eB5\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eApprox. Width\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e18.2 cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003eApprox. Height\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cspan\u003e25.7 cm\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Seigensha art","offers":[{"title":"multicolor \/ japanese","offer_id":53441271759145,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0253\/0381\/0145\/files\/2026-08-21T143642.031.png?v=1787294761","url":"https:\/\/haruyama365.com\/products\/japanese-colors-some-no-tsukasa-yoshioka-and-sarasa-yoshiokas-work","provider":"HARUYAMA","version":"1.0","type":"link"}