{"product_id":"galac-magazine-may-2026-issue-1","title":"GALAC Magazine May 2026 Issue","description":"\u003ch3 data-section-id=\"nc3bgr\" data-start=\"147\" data-end=\"172\"\u003eProduct Description\u003c\/h3\u003e\n\u003cp data-start=\"174\" data-end=\"504\"\u003eThe \u003cstrong data-start=\"178\" data-end=\"216\"\u003eMay 2026 issue of \u003cem data-start=\"198\" data-end=\"214\"\u003eGALAC Magazine\u003c\/em\u003e\u003c\/strong\u003e focuses on the evolving world of television drama writing with a special feature on \u003cstrong data-start=\"301\" data-end=\"338\"\u003enew trends in drama screenwriting\u003c\/strong\u003e. Known for its in-depth coverage of broadcasting, media culture, and television production, \u003cem data-start=\"431\" data-end=\"438\"\u003eGALAC\u003c\/em\u003e provides insights into the people and ideas shaping the industry.\u003c\/p\u003e\n\u003cp data-start=\"506\" data-end=\"733\"\u003eThe cover highlights \u003cstrong data-start=\"527\" data-end=\"542\"\u003eJuri Uesaka\u003c\/strong\u003e, featured as the issue’s “Face of the Moment.” The issue also includes \u003cstrong data-start=\"614\" data-end=\"659\"\u003eTHE PERSON interview with Takahisa Fujita\u003c\/strong\u003e, offering a closer look at influential figures in media and broadcasting.\u003c\/p\u003e\n\u003cp data-start=\"735\" data-end=\"963\"\u003eThe special feature explores emerging scriptwriting styles and creative approaches used in modern television dramas, including interviews with rising screenwriters and discussions on collaborative writing and script development.\u003c\/p\u003e\n\u003cp data-start=\"965\" data-end=\"987\"\u003e\u003cstrong data-start=\"965\" data-end=\"987\"\u003eFeature Highlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"989\" data-end=\"1044\"\u003e\u003cstrong data-start=\"989\" data-end=\"1044\"\u003eSpecial Feature – New Trends in Drama Scriptwriting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1045\" data-end=\"1555\"\u003e\n\u003cli data-section-id=\"1tl1ulb\" data-start=\"1045\" data-end=\"1108\"\u003e“The Gentle World and the Precise World” by Masafumi Fujita\u003c\/li\u003e\n\u003cli data-section-id=\"1fnzom8\" data-start=\"1109\" data-end=\"1354\"\u003eInterviews with emerging screenwriters:\n\u003cul data-start=\"1155\" data-end=\"1354\"\u003e\n\u003cli data-section-id=\"fdgozo\" data-start=\"1155\" data-end=\"1214\"\u003eYuki Takeda – Writing dramas rooted in everyday reality\u003c\/li\u003e\n\u003cli data-section-id=\"1s18pyt\" data-start=\"1217\" data-end=\"1282\"\u003eYuki Matsumoto – Exploring new values not previously depicted\u003c\/li\u003e\n\u003cli data-section-id=\"2uy3r0\" data-start=\"1285\" data-end=\"1354\"\u003eMash Morino – Capturing the purpose behind every line of dialogue\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1tn1yt0\" data-start=\"1355\" data-end=\"1417\"\u003eInside the “Scenario Center” writing method (Osamu Mihara)\u003c\/li\u003e\n\u003cli data-section-id=\"1ghevkc\" data-start=\"1418\" data-end=\"1481\"\u003eThe potential of \u003cstrong data-start=\"1437\" data-end=\"1465\"\u003eteam-based scriptwriting\u003c\/strong\u003e (Akiko Iwane)\u003c\/li\u003e\n\u003cli data-section-id=\"9alzlm\" data-start=\"1482\" data-end=\"1555\"\u003eCollaboration between \u003cstrong data-start=\"1506\" data-end=\"1537\"\u003escreenwriters and directors\u003c\/strong\u003e (Kunio Yoshikawa)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1557\" data-end=\"1577\"\u003e\u003cstrong data-start=\"1557\" data-end=\"1577\"\u003eMemorial Feature\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1578\" data-end=\"1754\"\u003e\n\u003cli data-section-id=\"7f1z42\" data-start=\"1578\" data-end=\"1609\"\u003eTribute to \u003cstrong data-start=\"1591\" data-end=\"1607\"\u003eHiroshi Kume\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"bjzzp1\" data-start=\"1610\" data-end=\"1685\"\u003eLecture archive: “Nearly 50 years of working with television and radio”\u003c\/li\u003e\n\u003cli data-section-id=\"1h9e9bb\" data-start=\"1686\" data-end=\"1754\"\u003eReflection on a free-spirited broadcaster who shaped media history\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1756\" data-end=\"1775\"\u003e\u003cstrong data-start=\"1756\" data-end=\"1775\"\u003eRegular Columns\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1776\" data-end=\"2058\"\u003e\n\u003cli data-section-id=\"kzwxys\" data-start=\"1776\" data-end=\"1810\"\u003eTV \u0026amp; Radio Legal Advice Column\u003c\/li\u003e\n\u003cli data-section-id=\"s1v23r\" data-start=\"1811\" data-end=\"1848\"\u003eStreaming Content Recommendations\u003c\/li\u003e\n\u003cli data-section-id=\"1dhu37e\" data-start=\"1849\" data-end=\"1876\"\u003eMedia and News Analysis\u003c\/li\u003e\n\u003cli data-section-id=\"1poh0gb\" data-start=\"1877\" data-end=\"1908\"\u003eInternational Media Reports\u003c\/li\u003e\n\u003cli data-section-id=\"dagtyo\" data-start=\"1909\" data-end=\"1949\"\u003eCreator Interviews and Industry News\u003c\/li\u003e\n\u003cli data-section-id=\"gide3z\" data-start=\"1950\" data-end=\"2001\"\u003eTV \/ Radio \/ Commercial Best \u0026amp; Worst Highlights\u003c\/li\u003e\n\u003cli data-section-id=\"ekmlyq\" data-start=\"2002\" data-end=\"2058\"\u003eBook Reviews on broadcasting history and media studies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2060\" data-end=\"2189\"\u003eThis issue is ideal for readers interested in \u003cstrong data-start=\"2106\" data-end=\"2188\"\u003etelevision production, screenwriting, broadcasting, and Japanese media culture\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2191\" data-end=\"2203\"\u003e\u003cstrong data-start=\"2191\" data-end=\"2203\"\u003eLanguage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2204\" data-end=\"2214\"\u003e\n\u003cli data-section-id=\"eva5m7\" data-start=\"2204\" data-end=\"2214\"\u003eJapanese\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2216\" data-end=\"2226\"\u003e\u003cstrong data-start=\"2216\" data-end=\"2226\"\u003eFormat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"2227\" data-end=\"2243\"\u003e\n\u003cli data-section-id=\"13augqz\" data-start=\"2227\" data-end=\"2243\"\u003ePrint Magazine\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kadokawa","offers":[{"title":"black \/ Japanese","offer_id":52940653691177,"sku":null,"price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0253\/0381\/0145\/files\/1_9dcb2e99-5856-4a90-9930-ebe58546ceab.png?v=1775533420","url":"https:\/\/haruyama365.com\/products\/galac-magazine-may-2026-issue-1","provider":"HARUYAMA","version":"1.0","type":"link"}